BARBI S.A.

CosmicBabies

We are not like everybody wants to see us as, each one of us is just like a cosmic baby, floating around the universe with big eyes to marvel and connect with one another. Our shape might seem weird for the outside looking in, but accepting ourselves as we are… sets us free.

In this world we are living in,ntenderness and compassion are our ultimate antidote. 

And we, we are all Cosmic Babies.

We are watching

Ocean is to big to be tamed. Control your deep blue and find the key to win the game.

Blue

Green

Diablo is your friend. Dont get confused by media messaging, its allways good to have a personal Diablo on your showlder.

Game is not over. You have nothing to prove, get yourself togheter and play for way up to creation itself.

Play/Create

Cosmic Babies

Ken Heidenreich

"Dining with Dali" - A Surrealists Look Back
On December 12, 1972, Baroness Marie-Hélène de Rothschild and her husband Guy threw a lush “Diner de Têtes Surrealistes” at the enormous Château de Ferrières. This event has taken on legendary and even mythological status. During the 1960s the palace became one of the regular hotspots for extravagant parties in France for movie stars, fashion designers, and socialites.

In 1972 when the event took place, I was 17 and was already deep into psychedelics and visionary experiences. I was deep into art and the genre of Surrealism. I had studied the story of the birth and incubation of surrealists, especially Salvador Dali. For the majority of my career, I live near or in Saint Petersburg Florida where one of the Salvador Dali museums is located. I was a member of the museum Surrealist Society, and I was pleased to attend several of the Surrealists Ball events. Attending these events had a great influence on my work. 

This year in 2023 I am celebrating my 43rd year as a digital artist and surrealist. I am travelling the path they followed, and I will be visiting the Edawrd James Garden in Xilitla. I have been wanting to make a piece of work to commemorate the original event and my own celebration of life and career as a surrealist. The technology that Asyncart Blueprints has created is the perfect way and the perfect platform to do exactly that. In this release I do not intend to be historically accurate. On the contrary I intend for it to be a twisted and distorted perspective on what I imagine the event was or might have been had it been occurring continuously through time until now.

This Blueprint features imaginary photos, or as I call them "digigraphs", that I extracted from the timeless infinity of hyperspace. I generated edited and selected over 500 images just for use in the rotations of the images taken by the "press photographer" that was never there but imagined by me. Included in the release are three "Legendary Editions". One each of Gold, Blue, and Purple, fashioned in the style of an imaginary Rothschild bottle label had there been a commemorative edition label for a 1972 vintage. 

This project was a labor of love and took me over a year to complete. I hope the collectors of these editions will find them interesting and fun to see who the guests are and consider them prized pieces in their collections. - "Artistken"

"Dinning with Dali"

Created just for this blueprint. It incorporates elements from the original design considerations and my personal artistic contributions to the final piece.

Legend Gold

Legend Blue

Legend Purple

"Dinning with Dali" - A Surrealists Look Back

Maksym

In deep shadows, a bright light always accompanies you, do not be afraid, go bolder

BOTANICULA

patriziabarnato

"The Masked Lady in Venice" is a work made with the collage technique, an overlay of different images created with the help of artificial intelligence, reworked in my colorful and imaginative style. Come and discover the elegance and sensuality of the nineteenth-century lady in her curious moments of life.

The Masked Lady in Venice

Greetings from Venice from the masked Lady of the 19th century.

Beats By LOR

Temples have always been strange, spiritual, slightly scary and big places, and when they are mentioned, the unconscious person plunges into deep and spiritual thoughts. " Urania Temple " is modeled after the imagination of very strange and very spiritual temples, in this collection we see temples that are full of colors and nested designs that are almost similar to each other. And in the middle of the picture we see stairs or corridors that go towards the light or a bright goal. In some of these images there is a human in these corridors and in others there is not, but in many of these images there are two giant hands pointing towards that light (or spiritual goal), which these hands can be a May it be a message from the world above that leads a person to be better! "Urania" is the name of these temples, which is a word with Greek roots! This creative collection was conceived and designed by " Beats By LOR ". This collection contains 50 unique paintings of impressionism and oil on canvas, which have been enhanced with digital tools. hope you like and have one or more versions of it in your collection! Thankful.

Temple

Urania Temple

Zuluink

A collection of 100 futuristic retro-styled televisions that will transport you into a world of scientific fantasy. Each image showcases a unique design that combines vintage elements with cutting-edge technology, creating a mesmerizing visual experience.

From sleek metal frames to bold neon accents, these TVs embody the spirit of innovation and imagination that defines the science fiction genre. Some models feature sophisticated displays with holographic projections, while others feature interactive interfaces and touch screens for truly immersive viewing.

Whether you're a fan of science fiction or just appreciate the beauty of art and design, this collection is sure to captivate and inspire you. So take a journey through time and space with us and discover the wonders of these futuristic televisions in all their retro-futuristic glory.

Sci-Fi TV

In the year 2089, television had evolved beyond what anyone in the past could have imagined. The screens were now ultra-thin and flexible, capable of being rolled up and stored in the palm of your hand. The picture quality was stunning, with colors that seemed to leap out of the screen and three-dimensional images that felt like they were right in front of you.

But it wasn't just the hardware that had changed. The content had become just as futuristic. Viewers could now choose to experience shows in fully immersive virtual reality, transporting themselves to the world of their favorite characters. The news was no longer presented by human anchors, but by AI-powered newsreaders that could instantly gather and analyze information from around the world.

One of the most popular shows was a game show called "Quantum Challenge," where contestants competed in challenges that pushed the limits of physics and technology. Viewers could participate in real-time, voting on which team they thought would win and even controlling elements of the game using their own smart devices.

But perhaps the most groundbreaking development was the introduction of "DreamVision," a technology that allowed viewers to experience their own personalized dreams on screen. By analyzing the viewer's brainwaves and neural patterns, DreamVision could create a hyper-realistic dream experience that felt like it was actually happening.

As with any new technology, there were some concerns about the potential dangers of such immersive experiences. But for most people, the possibilities of this new form of television were simply too exciting to ignore. In the year 2089, the future of television had arrived, and it was beyond anything anyone had ever imagined.

Futuristic TV

In the year 3000, television had become a twisted reflection of the world it broadcasted. The screens were now grimy and flickering, with glitchy static and neon colors that seemed to pulse with a life of their own. The content was a mix of propaganda, corporate advertising, and illegal underground broadcasts that promised a glimpse into the seedy underbelly of society.

The most popular shows were gritty cyberpunk dramas, depicting a future where corporations ruled with an iron fist and the only hope for rebellion lay in the hands of cyber-enhanced renegades. Viewers tuned in to watch these antiheroes battle against corrupt megacorporations and their armies of cyber-enhanced enforcers.

But the line between reality and fiction was blurred, as some broadcasts claimed to show live footage of actual corporate espionage and underground resistance movements. Viewers debated whether these were genuine acts of rebellion or simply elaborate hoaxes designed to generate buzz and ratings.

The advertisements were even more insidious, using subliminal messaging and invasive data collection to manipulate viewers into buying products they didn't need. Some broadcasts even offered illegal cyber-enhancements and body modifications for sale, promising enhanced strength and agility, but at a steep cost to the user's humanity.

As society became increasingly fragmented and unequal, television became a reflection of these divisions. The wealthy and powerful had access to a world of hyper-realistic virtual reality experiences, while the poor and disenfranchised were left to scavenge for illegal broadcasts and make do with outdated technology.

In the year 3000, television had become a dark mirror of the world it depicted, a dystopian reflection of humanity's fears and desires.

Cyberpunk TV

Futuristic Retro TV

Rutger van der Tas

Looking for Satoshi

'Looking for Satoshi' is a project that sprouts from the layers and states I've painted on one wooden panel. From 2016 until 2020 I painted several portraits and minted a few of them on SuperRare. 

This project blends a bit of our meme culture and taps into the ancient craft of painting at the same time. It refers to our current financial state and brings an ode to artists I admire. 

When this blueprint is sold out, I will determine a date on which I will give away 'My two Satoshi's' : 
https://superrare.com/artwork-v2/'my-2-satoshis'-18110 + this particular panel to one lucky collector. 

I will use 'Wheel of Names' to pick a winner. 

To qualify for this draft, a collector needs to :

1: follow me on Twitter
2: add the address that holds the blueprint to a dedicated tweet that will be send into the world when the time is right. 


This blueprint also contains 3 legendaries which are part of the 'Bitcoin White Paper' series. This series will have 13 pieces that will be minted during 2023, more info can be found on the website.

Thank you for following me on this journey. 

May the SATS be with you!

SATS

Satoshi Nakamoto
satoshin@gmx.com
www.bitcoin.org
Abstract. A purely peer-to-peer version of electronic cash would allow online
payments to be sent directly from one party to another without going through a
financial institution. Digital signatures provide part of the solution, but the main
benefits are lost if a trusted third party is still required to prevent double-spending.
We propose a solution to the double-spending problem using a peer-to-peer network.
The network timestamps transactions by hashing them into an ongoing chain of
hash-based proof-of-work, forming a record that cannot be changed without redoing
the proof-of-work. The longest chain not only serves as proof of the sequence of
events witnessed, but proof that it came from the largest pool of CPU power. As
long as a majority of CPU power is controlled by nodes that are not cooperating to
attack the network, they'll generate the longest chain and outpace attackers. The
network itself requires minimal structure. Messages are broadcast on a best effort
basis, and nodes can leave and rejoin the network at will, accepting the longest
proof-of-work chain as proof of what happened while they were gone.

Bitcoin: A Peer-to-Peer Electronic Cash System

Commerce on the Internet has come to rely almost exclusively on financial institutions serving as
trusted third parties to process electronic payments. While the system works well enough for
most transactions, it still suffers from the inherent weaknesses of the trust based model.
Completely non-reversible transactions are not really possible, since financial institutions cannot
avoid mediating disputes. The cost of mediation increases transaction costs, limiting the
minimum practical transaction size and cutting off the possibility for small casual transactions,
and there is a broader cost in the loss of ability to make non-reversible payments for nonreversible services. With the possibility of reversal, the need for trust spreads. Merchants must
be wary of their customers, hassling them for more information than they would otherwise need.
A certain percentage of fraud is accepted as unavoidable. These costs and payment uncertainties
can be avoided in person by using physical currency, but no mechanism exists to make payments
over a communications channel without a trusted party.
What is needed is an electronic payment system based on cryptographic proof instead of trust,
allowing any two willing parties to transact directly with each other without the need for a trusted
third party. Transactions that are computationally impractical to reverse would protect sellers
from fraud, and routine escrow mechanisms could easily be implemented to protect buyers. In
this paper, we propose a solution to the double-spending problem using a peer-to-peer distributed
timestamp server to generate computational proof of the chronological order of transactions. The
system is secure as long as honest nodes collectively control more CPU power than any
cooperating group of attacker nodes.

1. Introduction

We define an electronic coin as a chain of digital signatures. Each owner transfers the coin to the
next by digitally signing a hash of the previous transaction and the public key of the next owner
and adding these to the end of the coin. A payee can verify the signatures to verify the chain of
ownership.
The problem of course is the payee can't verify that one of the owners did not double-spend
the coin. A common solution is to introduce a trusted central authority, or mint, that checks every
transaction for double spending. After each transaction, the coin must be returned to the mint to
issue a new coin, and only coins issued directly from the mint are trusted not to be double-spent.
The problem with this solution is that the fate of the entire money system depends on the
company running the mint, with every transaction having to go through them, just like a bank.
We need a way for the payee to know that the previous owners did not sign any earlier
transactions. For our purposes, the earliest transaction is the one that counts, so we don't care
about later attempts to double-spend. The only way to confirm the absence of a transaction is to
be aware of all transactions. In the mint based model, the mint was aware of all transactions and
decided which arrived first. To accomplish this without a trusted party, transactions must be
publicly announced [1], and we need a system for participants to agree on a single history of the
order in which they were received. The payee needs proof that at the time of each transaction, the
majority of nodes agreed it was the first received.

2. Transactions

FuckYouBuyMe

ASTROFUKT

IN FUCKLAND, SOME CUNTS BELIEVE IN BEING ASTROFUKT, LIKE SOME SHIT IN THE SKY IS GONNA REKT YOUR ARSE GOOD.

THE FUCKING SILVER LINING IS THAT YOU CAN NOW SELL YOUR FUKT UP ASTRAL SHITE TO SOMEONE ELSE.

THIS IS FUCKING CULTURE OK?

ASTROSHITE

FUCKING LEGENDARY NOTHING

Miss Handiedan

HANDIEDAN Vector Equilibrium

The Vector Equilibrium comes into Flower

The Blueprint by which Nature forms Energy into Matter

Cyborg Goddess and Natural Being

The Flower of Life

Flower of Life

THE ACTINIARIA OF LIFE | Cobalt Blue

THE ACTINIARIA OF LIFE | Delft Blue

THE ACTINIARIA OF LIFE | Viridian Green

THE ACTINIARIA OF LIFE | Ochre

THE ACTINIARIA OF LIFE | Noir

HANDIEDAN | VECTOR EQUILIBRIUM

defiantsquid

Multiply by defiantsquid

Named for the blend mode that inspired its creation, 'Multiply' makes liberal use of this digital composition method in its construction.

This piece consists of several hand-painted layers that overlap and mask each other in various ways. Each new 3x3 grid of colour reacts with those that came before it, before being wrapped in additional tone, border, and texture. The finished, fully-blended artwork has almost 50 billion unique possible combinations.

All artwork is 3840x3840 pixel resolution, and 5250 × 5250 'originals' are available to edition owners on request.

Multiply

Angie Taylor

A collection of unique, iconic, Proper Punks - the people featured in this collection were around in the early days of punk in the 1970's. Each image is a tribute to them. And also to Punk Rock, Crypto Art, Trash art, Glitch Art, Rebel Rock, Punk Art, Pop Art, Naïve Art, The Situationists, The Dadaists  and all the other underground, grass roots, music & art movements that have attempted to rock the system, affect change & champion creativity - here's to the mould-breakers. The square pegs, trying to fit into round holes. 

All art hand drawn by Angie Taylor - references taken from photographs owned by Angie Taylor or 3D models created by Angie Taylor. With the exception of the following images;
Image of Debbie Harry - Private Stock Records, Public domain, via Wikimedia Commons
Creative Commons Image of Jordan Mooney - Unknown author, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons
Creative Commons image of Patti Smith - UCLA Library Special Collections, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons

Punk

Portrait of Punk-legend, Poly Styrene - songwriter & singer from X-Ray Spex
R.I.P. 1957-2011

Poly Styrene

Portrait of Punk-legend, Jordan Mooney - model, muse, actress, vet nurse
R. I. P. 1955 - 2022

Jordan Mooney

Portrait of Punk-legend, Ari Up - songwriter & singer with, The Slits & The New Age Steppers
R.I.P. 1962 - 2010

Ari Up

Proper Punks

basseado

"INTERMINABLE layers/liars" is composed of 3 songs in different styles with lyrics in Spanish and English, telling 1 story: the manipulation of our lives into the hands of politicians and their hidden interests.

Part 1 - Liars: one truth is revealed
Part 2 - Interminable: the repercussions in our life
Part 3 - Layers: the realization that it'll never end :(

INTERMINABLE is intended as a snapshot of current times; 3 genres, 8 layers, 26 stems. 4 legendary editions, each visual layer reacts to its musical stem. 

Chance and scarcity are part of our lives and can change our ways, we simply don't know when or how.  Same thing with these songs thanks to Async Blueprints generative component, they will be random and unique, out of our control.  (*μ_μ)

layers/liars

Layers...
I keep finding new
When you think you get it
is when you know you are lost

LAYERS

falta el         aire 
en la habitacion
es         que      tu
mirada no tiene fin

INTERMINABLE

"distorted layers mashup"

Layers....
la mentira esta vez colo
tu mirada no tiene fin

ZAPPING

el cuentito muy les quedo
esta vez nadie lo creyo

Cosmic Babies by BARBI S.A.

Cosmic Babies by BARBI S.A.

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